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Wu Opera Goes Global:The Local Opera Shines Abroad 认领 引用
1
作者 Xin Wen 《China & The World Cultural Exchange》 2026年第5期8-10,共3页
Wu Opera,a traditional Chinese opera originating in the Ming Dynasty with the integration of six traditional Chinese opera vocal styles,has a history of over 500 years.Since its first overseas performanee in 1993,the ... Wu Opera,a traditional Chinese opera originating in the Ming Dynasty with the integration of six traditional Chinese opera vocal styles,has a history of over 500 years.Since its first overseas performanee in 1993,the opera has toured five continents,reaching 73 countries and regions,presenting the beauty of the traditional Chinese opera to over 5 million overseas audiences. 展开更多
关键词 cultural exchange global tour overseas performance traditional Chinese opera integration six traditional chinese opera vocal styleshas Wu opera
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Symbolic Barriers and Semantic Ruptures:A Study on the Overseas Communication and Development of Sichuan Opera from the Perspective of Iconology 认领 引用
2
作者 Wang Liling 《Contemporary Social Sciences》 2026年第4期55-66,共12页
As one of the first items inscribed on China's national list of intangible cultural heritage,Sichuan opera possesses profound cultural connotations and significant cross-cultural communication potential by virtue ... As one of the first items inscribed on China's national list of intangible cultural heritage,Sichuan opera possesses profound cultural connotations and significant cross-cultural communication potential by virtue of its unique visual symbol system,including facial makeup,stylized movements,and costumes.Its widespread dissemination within China has demonstrated its value as a cultural resource and a vehicle of cultural soft power.However,in the process of overseas communication,Sichuan opera faces a core contradiction between enhanced visibility and insufficient comprehension of meaning.While stunts like face-changing and fire-spitting easily create visual spectacles,deeper elements,such as the symbolic meanings of facial makeup colors,the logic of stylized movement codes,the virtual stage space,and the ethical core of the plots,are often inadequately decoded by overseas audiences due to symbolic barriers and cultural context differences.This results in an imbalance between the breadth of communication and the depth of audience understanding.Using information-based iconology as the core framework,this study explores how the core symbols of Sichuan opera can help overseas audiences overcome barriers to symbolic interpretation and address semantic discontinuities.Furthermore,case studies reveal that the cultural specificity of Sichuan opera's native visual symbols,combined with the integration of diverse attributes through re-encoding during communication,can effectively capture the attention of overseas audiences.Accordingly,this paper proposes a structured five-stage communication pathway comprising the establishment of an information-based iconology system,the empowerment and extraction of core symbols,layered visual translation,scenario-based communication,and audience participation and feedback.This study contributes an analytical framework and practical insights into the visual translation and international communication of Sichuan opera and other forms of traditional Chinese theater. 展开更多
关键词 Sichuan opera overseas communication iconology symbolic barriers semantic ruptures
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Digital and Intelligent Technologies in Sichuan Opera:A Procedural Grounded Theory Study of Cultural DNA Revitalization and Industrial Ecosystem Restructuring 认领 引用
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作者 Xiao Daibo Chen Li Chen Rui 《Contemporary Social Sciences》 2026年第4期38-54,共17页
As core enablers of new quality productive forces,technologies are reshaping the inheritance and development of intangible cultural heritage.This study,focusing on Sichuan opera,performs a procedural grounded theory a... As core enablers of new quality productive forces,technologies are reshaping the inheritance and development of intangible cultural heritage.This study,focusing on Sichuan opera,performs a procedural grounded theory analysis on a qualitative dataset of 211,396 Chinese characters derived from semi-structured interviews with 22 professionals from Sichuan opera troupes and 127 official media reports.Using a three-level coding system,we identified five major categories:cultural DNA revitalization,technology-driven innovation,industry ecosystem reconstruction,synergistic governance safeguards,and innovative international dissemination.Based on these categories,this study developed a theoretical framework for revitalizing Sichuan opera's cultural DNA.In this framework,cultural DNA revitalization serves as the foundation,technology-driven innovation functions as a catalyst,industry ecosystem reconstruction provides an impetus for transformation,synergistic governance guarantee offers institutional support,and innovative international dissemination represents an external driving force.The study finds that the empowerment of Sichuan opera by digital and intelligent technologies is not a unidirectional,technology-driven process,but a two-way interaction between cultural subjectivity and the instrumental role of technology.Currently,the digital transformation of Sichuan opera faces challenges such as fragmented technology adoption,a lagging governance system,and a significant cultural discount in international dissemination.Therefore,a comprehensive governance framework should be established,encompassing multi-stakeholder collaboration in intangible cultural heritage safeguarding,systematic institutional support,technological risk management,the cultivation of a new generation of professionals,and the global communication of cultural values.These findings provide a replicable and practical pathway for the digital and intelligent transformation of Chinese opera. 展开更多
关键词 digital and intelligent technologies Sichuan opera cultural DNA revitalization industry ecosystem reconstruction procedural grounded theory
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Intangible Cultural Heritage Cross-Cultural Communication Media Reconstruction and Strategies in Metaverse:Han Opera VR Experience 认领 引用
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作者 HUANG Yilin YUAN Ruiqi +1 位作者 ZHAO Jiahui WANG Han 《Journal of Literature and Art Studies》 2026年第5期410-419,共10页
Facing the dual challenges of globalization and digitalization,the intangible cultural heritage of Han Opera encounters“cultural discount”and“intergenerational gap”in its cross-cultural communication,while the tra... Facing the dual challenges of globalization and digitalization,the intangible cultural heritage of Han Opera encounters“cultural discount”and“intergenerational gap”in its cross-cultural communication,while the traditional one-way communication model fails to meet the needs of contemporary audiences.This study aims to explore,within the metaverse framework,how to use Virtual Reality(VR)technology to reconstruct the communication pathways of Han Opera in order to promote its global cultural identity.By employing literature review and questionnaire survey methods,it conducts an in-depth analysis of the current state of audience awareness and experiential needs.The research develops a“VR-empowered strategy model for the cross-cultural dissemination of intangible cultural heritage”,proposing media reconstruction across four key dimensions:immersive storytelling,interactive experiences,cultural translation,and matrix-based dissemination.The strategy advocates for an“authentic core with innovative outward expression”,effectively enabling the transformation of audience engagement from merely“watching for entertainment”to“understanding the deeper significance”.This approach provides both theoretical references and practical guidance for the digital“going global”of intangible cultural heritage. 展开更多
关键词 intangible cultural heritage Han Opera Virtual Reality(VR) cross-cultural communication media reconfiguration
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The Flow and Persistence of Local Opera in the Global Context: Baling Opera from the Perspectives of China and Beyond 认领 引用
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作者 Linbo Zhao 《Sociology Study》 2026年第3期200-210,共11页
Within the highly fluid cultural configuration of globalization, traditional local operatic forms generally confront multiple pressures, including the contraction of spaces for dissemination, aesthetic marginalization... Within the highly fluid cultural configuration of globalization, traditional local operatic forms generally confront multiple pressures, including the contraction of spaces for dissemination, aesthetic marginalization, and intergenerational rupture. Taking Baling Opera of Yueyang, Hunan, China, as an example, its cultural condition is particularly emblematic. As a local operatic genre deeply rooted in the regional social structure and folk ritual system of the Dongting Lake area, it has neither entered the system of digital dissemination, nor garnered extensive attention within the national structure of cultural consumption, nor been incorporated into any cross-cultural chain. This condition of “not having entered the modern communication system” enables Baling Opera to exhibit a distinctive cultural resilience. Relying on local dialect, embodied techniques, and communal memory, it has formed a low-frequency yet continuous cultural cycle within the regional field, and its vitality is derived primarily from the support of traditional festivals, master-disciple transmission, and local emotional attachment. This study takes Bourdieu’s field theory as its analytical framework and, in conjunction with theories of cultural reproduction and locality, explores the multiple positions of Baling Opera within the local field, regional networks, and the framework of national culture. 展开更多
关键词 Baling Opera global field cultural dissemination
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Sichuan Opera 认领 引用
6
《China Today》 2026年第4期80-80,共1页
SICHUAN Opera is the most influential regional opera genre in southwestern China.It took shape between the late Ming(1368-1644)and the mid-Qing(1644-1911)dynasties and has long been a beloved folk art among the people... SICHUAN Opera is the most influential regional opera genre in southwestern China.It took shape between the late Ming(1368-1644)and the mid-Qing(1644-1911)dynasties and has long been a beloved folk art among the people of Sichuan,Yunnan,Guizhou,and other southwestern provinces.In 2006,Sichuan Opera was inscribed on the first list of China’s national intangible cultural heritage items. 展开更多
关键词 folk art Late Ming Dynasty Mid Qing Dynasty intangible cultural heritage items National Intangible Cultural Heritage Items sichuan opera
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Wuju Opera:A 500⁃year⁃old art reborn 认领 引用
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作者 周静 《疯狂英语（新悦读）》 2026年第3期65-66,79,80,共2页
Activity 1Think about the following questions and write down your answers before reading the text.1.What culture elements do you think traditional operas could draw inspiration from to attract young audiences?2.In you... Activity 1Think about the following questions and write down your answers before reading the text.1.What culture elements do you think traditional operas could draw inspiration from to attract young audiences?2.In your opinion,what role should young people play in preserving and innovating traditional arts in the digital age?Activity 2Read the text,and try to fill in the blank.Wuju Opera is finding international audiences through global tours and innovative use of_____. 展开更多
关键词 innovation innovating traditional arts digital age traditional operas young audiences global tours use
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Empowering Cultural Tourism Going Global:Approaches to Overseas Dissemination of Intangible Cultural Heritage Operas 认领 引用
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作者 Yu Qiuyang 《China & The World Cultural Exchange》 2026年第5期16-22,共7页
In the era of globalization and digitalization,the culture and tourism going global serves as a crucial mean to enhanee China's soft power and promote mutual appreciation among civilizations.As a brilliant gem of ... In the era of globalization and digitalization,the culture and tourism going global serves as a crucial mean to enhanee China's soft power and promote mutual appreciation among civilizations.As a brilliant gem of the excellent traditional Chinese culture,the overseas communication of Intangible Cultural Heritage opera genres not only embodies cultural confide nee,but also serves as a promising cultural lever,empowering the industry of culture and tourism to deeply integrate into the global market. 展开更多
关键词 deeply integrate global market globalization enhanee chinas soft power overseas communication intangible cultural heritage opera genres culture tourism going global promote mutual appreciation civilizationsas intangible cultural heritage cultural tourism
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Taking Opera As a Medium The 9th Traditional Chinese Opera Festival 认领 引用
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作者 Li Huayi 《China & The World Cultural Exchange》 2025年第3期28-34,共7页
Wish the Chinese Opera Festival in Paris becomes a door that will never be closed,so that the Chinese opera can bloom colorfully on the world stage,helping the people with various ethnic and cultural backgrounds get t... Wish the Chinese Opera Festival in Paris becomes a door that will never be closed,so that the Chinese opera can bloom colorfully on the world stage,helping the people with various ethnic and cultural backgrounds get to know and understand each other in the ocean of art,and jointly witness and protect the diversity and prosperity of the human civilization. 展开更多
关键词 cultural exchange opera Chinese opera diversity chinese opera
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Wu Opera"Legend of the White Snake"Debuts in Vienna 认领 引用
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《International Understanding》 2025年第2期55-57,共3页
The Chinese Opera Season 2025 and International Exhibition of Chinese Opera opened in Vienna,the capital of Austria,on the evening of April 5.As the opening performance of the Season,a traditional Wu Opera(a local ope... The Chinese Opera Season 2025 and International Exhibition of Chinese Opera opened in Vienna,the capital of Austria,on the evening of April 5.As the opening performance of the Season,a traditional Wu Opera(a local opera in Zhejiang Province)scene"the Legend of the White Snake"was performed at the Muth Theatre in Vienna,drawing enthusiastic responses. 展开更多
关键词 Vienna Zhejiang province International exhibition chinese opera Wu opera Legend White Snake
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STABILITY OF SOME POSITIVE LINEAR OPERATORS ON COMPACT DISK 认领 引用
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作者 M.MURSALEEN Khursheed J.ANSARI Asif KHAN 《Acta Mathematica Scientia》 SCIE CSCD 2015年第6期1492-1500,共9页
Recently, Popa and Rata [27, 28] have shown the （in）stability of some classical operators defined on [0, 1] and found best constant when the positive linear operators are stable in the sense of Hyers-Ularn. In this ... Recently, Popa and Rata [27, 28] have shown the （in）stability of some classical operators defined on [0, 1] and found best constant when the positive linear operators are stable in the sense of Hyers-Ularn. In this paper we show Hyers-Ulam （in）stability of complex Bernstein-Schurer operators, complex Kantrovich-Schurer operators and Lorentz operators on compact disk. In the case when the operator is stable in the sense of Hyers and Ulam, we find the infimum of Hyers-Ulam stability constants for respective operators. 展开更多
关键词 Hyers-Ulam stability Bernstein-Schurer operators Kantrovich-Schurer opera-tors Lorentz operators stability constants
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Symbiosis and Evolution:A Linguistic Musicological Study of Cantonese Tone System and Cantonese Opera 认领 引用
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作者 FANG Zihao 《Cultural and Religious Studies》 2025年第6期337-344,共8页
This study explores the intricate symbiotic relationship between the Cantonese tonal system and Cantonese opera through an interdisciplinary lens of linguistics and musicology.Cantonese,with its complex tonal architec... This study explores the intricate symbiotic relationship between the Cantonese tonal system and Cantonese opera through an interdisciplinary lens of linguistics and musicology.Cantonese,with its complex tonal architecture and unique phonetic characteristics,serves not only as a communicative medium but as a structural blueprint for the melodic and rhythmic composition of Cantonese opera.Through historical tracing,phonological analysis,and performative interpretation,the paper examines how tonal contours directly shape vocal techniques,emotional expression,and narrative cadence within the opera tradition.The research further investigates how socio-cultural factors—ranging from regional identity,migration,and colonial modernity to contemporary digital transmission—have mediated the evolution and resilience of this art form.By demonstrating how linguistic tone and musical tune co-construct aesthetic experience and cultural memory,the paper offers a new theoretical model for understanding language-music co-evolution in tonal cultures.This inquiry not only affirms Cantonese opera’s role as a living archive of regional identity but also proposes strategies for its revitalization amidst the shifting conditions of modernity and globalization. 展开更多
关键词 Cantonese Opera Cantonese tone system linguistic musicology tonal language
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Study on the Image of Zhuge Liang in Ming Dynasty Opera Adaptations of the Three Kingdoms 认领 引用
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作者 Ren Jie 《Cultural and Religious Studies》 2025年第12期713-724,共12页
Zhuge Liang was an eminent and universally known historical figure whose name is familiar to almost every household.He possessed exceptional talents in many areas and made significant contributions,particularly in pol... Zhuge Liang was an eminent and universally known historical figure whose name is familiar to almost every household.He possessed exceptional talents in many areas and made significant contributions,particularly in politics,military affairs,and diplomacy.In historical records,Zhuge Liang was regarded as a statesman skilled in military administration rather than unconventional stratagems,and more proficient in civil governance than in battlefield command-an internal affairs expert described as“strong in pacifying the state and managing the army,but less given to extraordinary schemes,and better at governing the people than leading troops”.Among the general public,however,his image transformed into an almost deified and omniscient figure,one who could“make impeccable plans and even summon the wind and rain”.This contrast reflects the significant evolution of Zhuge Liang’s image.This dissertation focuses on the image of Zhuge Liang as portrayed in Ming Dynasty Three Kingdoms operas,analyzes the reasons for the transformation of his image,and attempts to offer modest supplementary insights based on previous research. 展开更多
关键词 Ming Dynasty Three Kingdoms opera Zhuge Liang image of Zhuge Liang
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世界技能大赛引领下Opera PMS在中职酒店英语课程中的应用探究 认领 引用
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作者 涂东琼 《教育信息化论坛》 2025年第17期13-15,共3页
世界技能大赛酒店接待项目要求选手掌握多项专业技能,包括旅游文化知识、英语表达、系统操作、礼仪修养、突发事件处理等。而Opera PMS系统作为一种提高酒店运营效率的软件,其与中职酒店英语课程的结合能够有效提升学生的实操能力和语... 世界技能大赛酒店接待项目要求选手掌握多项专业技能,包括旅游文化知识、英语表达、系统操作、礼仪修养、突发事件处理等。而Opera PMS系统作为一种提高酒店运营效率的软件,其与中职酒店英语课程的结合能够有效提升学生的实操能力和语言素养,促进学生理论与实践水平的共同提升。基于此,结合世界技能大赛相关标准,从教学内容、方法、评价等方面构建Opera PMS系统和酒店英语课程融合教学体系,以提升教学效果,促进学生的全面发展。 展开更多
关键词 世界技能大赛 Opera PMS 酒店英语课程
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The Study of Overseas Performance and Dissemination of Guangdong Han Opera 认领 引用
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作者 Xinying Dong 《Proceedings of Business and Economic Studies》 2025年第8期90-99,共10页
Known as the“Southern Peony”,Guangdong Han Opera is elegant and extraordinary,displaying its unique color and brilliance in the land of Guangdong.This paper focuses on analyzing the status of Guangdong Han Opera’s ... Known as the“Southern Peony”,Guangdong Han Opera is elegant and extraordinary,displaying its unique color and brilliance in the land of Guangdong.This paper focuses on analyzing the status of Guangdong Han Opera’s overseas performances and dissemination,exploring the main challenges faced in international performances,and offering reflections and suggestions on how to promote Guangdong Han Opera overseas in the context of intangible cultural heritage protection. 展开更多
关键词 Guangdong Han Opera Performances Dissemination
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Research on the Secondary Creation and Artistic Innovation of the Guangdong Han Opera“Wang Zhaojun” 认领 引用
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作者 Bo Dong Ruiji Shengchuan 《Journal of Contemporary Educational Research》 2025年第2期84-89,共6页
Guangdong Han Opera,known as the“Peony of the South,”is a treasured art form with a history of over 300 years.As one of the three major opera genres in Guangdong,it primarily uses Pi and Huang tuning,incorporating K... Guangdong Han Opera,known as the“Peony of the South,”is a treasured art form with a history of over 300 years.As one of the three major opera genres in Guangdong,it primarily uses Pi and Huang tuning,incorporating Kunqu,Gaoqiang,Chuiqiang,and minor tunes,with Zhongzhou rhyme as its stage language.The roles are divided into seven categories:Sheng,Dan,Chou,Gong,Po,and Jing(including Hongjing and Wujing).Its accompaniment instruments,particularly the Touxian,Dasuluo,and Haotou,are distinctive,making it an excellent Pi and Huang opera genre in southern China.In 2008,Guangdong Han Opera was listed in the national intangible cultural heritage,recognizing its artistic value and entrusting it with the mission of inheriting and developing this opera genre.This paper focuses on the Guangdong Han Opera“Wang Zhaojun”and employs methods such as literature review and case analysis to explore its achievements in secondary creation and artistic innovation.The opera has achieved innovations in script,character,music,and stagecraft,and made breakthroughs in performance form,narrative technique,and cultural connotation,promoting the inheritance and development of Guangdong Han Opera and providing insights into contemporary drama innovation. 展开更多
关键词 Guangdong Han Opera Wang Zhaojun Secondary creation Artistic innovation
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Cultural Memory in Sounds:A Musical Anthropological Interpretation of the Newly Composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu” 认领 引用
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作者 Bo Dong Ruiji Shengchuan 《Journal of Contemporary Educational Research》 2025年第2期164-169,共6页
This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and ... This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and the cultural connotations of the Hakka people,it reveals the unique cultural memory embedded in the musical aspects of the opera.The study finds that“Tianfeng Haiyu Meihuadu”is not only a representative work of the newly composed Guangdong Han Opera but also an important carrier of Hakka cultural inheritance and dissemination.Its music and performance are closely linked to the history,emotions,and social life of the Hakka people,providing a vivid example for understanding the characteristics of Hakka culture and the functions of musical culture. 展开更多
关键词 Guangdong Han Opera Tianfeng Haiyu Meihuadu Music anthropology Hakka culture Cultural memory
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Practical Strategies for Integrating Local Opera Singing into Preschool Music Literacy Cultivation from the Perspective of Intangible Cultural Heritage Inheritance 认领 引用
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作者 Siqi Geng 《Journal of Contemporary Educational Research》 2025年第10期300-305,共6页
From the perspective of the inheritance of intangible cultural heritage,this study explores practical strategies for integrating local opera singing styles into the cultivation of preschool music literacy.After litera... From the perspective of the inheritance of intangible cultural heritage,this study explores practical strategies for integrating local opera singing styles into the cultivation of preschool music literacy.After literature research,field investigation,and teaching practice,it analyzes the application value of the artistic features of local opera singing styles in preschool education and seeks effective methods for integrating them into music education in kindergartens.Research shows that local opera singing styles are rich in cultural connotations and artistic charm,and have unique advantages in cultivating children’s musical literacy.Therefore,integrating them into preschool music education is beneficial to children’s understanding of traditional culture,the development of musical abilities,and the cultivation of aesthetic tastes.This study proposes the following practical strategies:Select suitable opera segments for young children and design interesting teaching activities;use multimedia technology to create vivid and interesting learning scenarios;organize opera experience activities to bring children closer to traditional culture;and conduct teacher training to enhance their knowledge of opera and teaching abilities.This research result has certain theoretical and practical significance for promoting local operas into kindergartens,facilitating the inheritance of intangible cultural heritage,and innovating preschool music education. 展开更多
关键词 Inheritance of intangible cultural heritage Local opera Singing style Preschool music Cultivation of quality
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A Study on the Cross-Cultural Communication of Chinese Opera Cultural Elements in Teaching Materials of Chinese as a Foreign Language:Taking New Practical Chinese Readers as an Example 认领 引用
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作者 Xi Wang Dong Yao 《Journal of Contemporary Educational Research》 2025年第1期74-80,共7页
This paper selects the widely used New Practical Chinese Readers,a comprehensive teaching material for Chinese as a foreign language,analyzing its content selection,presentation format,and organizational characteristi... This paper selects the widely used New Practical Chinese Readers,a comprehensive teaching material for Chinese as a foreign language,analyzing its content selection,presentation format,and organizational characteristics.By reviewing the inclusion of Chinese opera cultural elements in this material,the study identifies existing issues and provides recommendations for improvement.Introducing opera culture into Chinese language teaching materials can align with global cultural exchanges,helping more people learn about traditional Chinese culture and enhancing China’s international influence. 展开更多
关键词 Chinese opera cultural elements Teaching materials Chinese as a foreign language Cross-cultural communication
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QUANTITATIVE WEIGHTED BOUNDS FOR A CLASS OF SINGULAR INTEGRAL OPERATORS 认领 引用 被引量：1
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作者 Wenhua GAO Guoen HU 《Acta Mathematica Scientia》 SCIE CSCD 2019年第4期1149-1162,共14页
In this article, the authors consider the weighted bounds for the singular integral operator defined by ■where ? is homogeneous of degree zero and has vanishing moment of order one, and A is a function on Rnsuch that... In this article, the authors consider the weighted bounds for the singular integral operator defined by ■where ? is homogeneous of degree zero and has vanishing moment of order one, and A is a function on Rnsuch that ?A ∈ BMO(R^n). By sparse domination, the authors obtain some quantitative weighted bounds for TAwhen ? satisfies regularity condition of Lr-Dini type for some r ∈(1, ∞). 展开更多
关键词 Singular integral operator sparse domination Ap constant maximal opera tor
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